Can you tell us how your journey into wildlife photography began? Was there a specific moment or experience that sparked your passion?
I’ve taken photos since I was young, but it wasn’t until 2012- when I moved to Greenland for the first time – that my passion truly deepened. One evening, while out photographing Arctic foxes with a good friend, I experienced a moment that changed everything. An Arctic fox curled up less than a meter away from me, ready to sleep. That close interaction with a wild animal sparked something profound in me, and from that moment on, I was hooked on exploring the world of wildlife photography.
What drew you to the Arctic and remote wildlife as your primary focus?
I have always wanted to see Greenland, but the reason I moved there was actually to become better at English. However, after experiencing the acting and living there, I got drawn into the beauty of extreme landscapes.
Your work captures some of the most extreme environments – what keeps you coming back to these wild, frozen places?
I guess I keep coming back to the Arctic because that was where my whole wildlife photography journey started and frozen places ended up being my specialty. Moreover, I enjoy the wildlife up in these extreme conditions.
How would you describe your photographic style, and how has it evolved over the years?
I feel like my style of photography has always leaned toward minimalism. I’m especially drawn to the Arctic winter, where snow and ice create a naturally minimalistic landscape. In such a setting, even the smallest amount of light allows you to be creative. Although I play around with a variety of locations, subjects, and colors, minimalism remains at the heart of my work.
Can you walk us through a typical day in the field when you’re on an assignment?
When I’m out on assignment or guiding, most of my trips don’t follow a fixed itinerary. We often don’t know exactly what we’ll be doing until we arrive. The plan depends entirely on wildlife—where it is and how it behaves. We travel to areas that seem promising, scout the terrain, and once we locate animals, we head out in the Zodiac and spend considerable time photographing them. In the Arctic, we benefit from the midnight sun, which allows us to stay active through the night when the light is at its softest—perfect for photography.
What gear do you rely on most when shooting in such harsh environments?
I rely on all of my gear because in these environments, climatic conditions can change in an instant—you can go from calm skies to a snowstorm or high winds within minutes.
I shoot with Sony, and I’ve found their cameras to be incredibly reliable and weather-resistant, even in the harsh conditions I often work in.
Wildlife conservation is clearly close to your heart. How do you hope your work contributes to conservation awareness?
Conservation is, of course, a major part of my work. I aim to inspire and motivate people to care for the environment by highlighting the beauty of nature. Yes, there’s a lot of harsh reality—plenty of evidence of how we’ve impacted the planet—but I believe in the power of showing what’s still good.
By showcasing nature as it is, in all its beauty and resilience, I hope to remind people that there’s still time to protect these wild places.
How do you balance getting the perfect shot while ensuring minimal disturbance to wildlife?
You need to educate yourself before heading out to take photos. It’s important to understand the animals you’re photographing—their behavior, their signs, and how they move in their natural environment. Without that knowledge, you won’t be able to position yourself in a way that captures authentic, natural behavior without disturbing them.
Have you ever faced ethical dilemmas in the field, and how did you handle them?
Of course, there are times when you find yourself in a situation that isn’t ideal—either for you or for the animals. When that happens, I usually choose to step back. If I notice signs that an animal is avoiding me or not behaving naturally, I remove myself from the area. There are also moments when you’re around larger groups of people observing wildlife. In those cases, I try to take a broader perspective. If the animals appear relaxed and continue behaving as they would if no one were there, then I believe the situation is acceptable.
What has been one of the most technically or emotionally challenging shoots you’ve done so far?
One of the greatest technical challenges I face is the extreme cold in the high Arctic. I remember shooting in temperatures that dropped below –40°C. Sometimes you witness something heartbreaking—like a young animal being killed or trapped—and you know you could intervene. But part of respecting nature is accepting that you can’t interfere.
How do you prepare for a shoot in extremely cold or remote conditions?
I prepare for cold conditions by knowing exactly what do I need to wear to stay warm and protected. I also bring extra essentials—especially batteries and memory cards—as those are the items that tend to fail most often in extreme temperatures.
What’s your mindset when you’ve waited hours (or days) and nature doesn’t deliver what you hoped for?
When you work with nature and wildlife, there are no guarantees—you can never expect to come home with great photos. As much as I love capturing that one incredible shot or having a powerful encounter, I find just as much value in the process of being out there: observing, searching, and immersing myself in the wild. It puts everything into perspective and reminds me how challenging it really is to get that one image you were hoping for. But it’s not just about photography. Being in nature is equally important—it teaches me how the environment works, how wildlife moves, and it all builds toward the larger story behind the image. That story of how you got the shot is often just as meaningful as the photo itself.
holds deep personal meaning for you?
There are a few moments that stand out as personal favorites. Greenland, where everything started for me, holds a lot of emotional weight—it’s where I truly launched my career. Another defining experience was swimming with orcas for the first time in 2015 — very few people did it. Over the years, I’ve returned many times, guiding others and helping them fulfill their dream of seeing and swimming with whales. That journey has made it an incredibly special place in my heart as well.
What has been your most unforgettable wildlife encounter?
It’s hard to choose just one moment because I’ve been fortunate to have so many truly unforgettable encounters. Lying in the snow during a storm in Greenland, photographing muskox, was incredible. Another unforgettable experience was riding my old snowmobile out onto the ice to photograph a mother polar bear with her two cubs – resting, nursing, and playing right beside me, completely unbothered by my presence. Every time I see orcas on the water is magical – watching how they hunt, feed, and socialize is always mesmerizing. And then there was hiking through the dense jungle in Uganda and coming face-to-face with mountain gorillas in their natural habitat. Seeing how closely they resemble us was deeply moving – a truly awe-inspiring experience.
You have a strong Instagram presence—how do you approach storytelling on social media versus through exhibitions or publications?
I really should be putting a lot more effort into my Instagram. It’s been growing slowly over the years, but I haven’t been keeping track of what to post, when to post, or how to stay consistent. I try to keep up, but at the end of the day, it’s mostly just a portfolio — a place to showcase my work.
What kind of reactions or messages from your audience have moved you the most?
When people repost my work and tell their friends that it inspired or motivated them to get into this field- or to do more wildlife photography and become more mindful about protecting nature, those are some of the most heartwarming and inspiring messages I can receive. I love hearing that my photos make people happy and that they enjoy seeing them, but what means even more to me is knowing that I’ve inspired someone to get out there and do the same.
